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Lucker The Necrophagus 1986

Lucker The Necrophagus 1986

aka Lucker

Directed by: Johan Vandewoestijne

Starring: Nick Van Suyt, Martine Scherre, Carry Van Middel

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Review by Luisjo González

Whilst Spain (Atrapados en el Miedo), the UK (Don’t Open ‘Til Christmas), Hong Kong (He Lives By Night), Italy (Madhouse), Canada (My Bloody Valentine), Australia, (Stagefright) and a couple of other countries jumped on the 123231232323212323initial Halloween bandwagon, the phase didn’t last long. The release of A Nightmare on Elm Street in 1984 changed horror completely and in the following years, antagonists were more supernatural and had wisecracks after each kill. Classic Friday the 13th style stalk and slash films that we know and love, became less popular and only a small handful of entries crept out each year until 1988. I went into more detail in my review of Maniac Cop, about the large amount of great titles that we123 received in 88, so I won’t write it again, but it’s probably my favourite year in the genre’s timeline.

The one country that wasn’t ready to give up on the old school slasher template just yet was Belgium. They waited right up until 1986 to give us their offering and they certainly had more ambition than to just duplicate everybody else. Lucker the Necrophagus boasts something of a reputation in cult circles and it’s known as an X rated and somewhat extreme movie. I’ve owned it on VHS for a long while, but I also picked up the DVD a few year’s ago, but it’s in my shed under loads of boxes, somewhere.

John Lucker is a serial murderer with a necrophilia fetish. Eight years ago, he went on a killing spree that took eight victims, until he was finally caught and institutionalised. Now he’s been put in a private clinic after attempting suicide during an asylum transfer. Despite being heavily drugged, Lucker escapes the clinic and heads to finish the girl that survived his last massacre, Cathy Jordan…98525852587425

I’m aware that you readers probably consider me as something of a strange individual. I’d have to be to work so hard to locate and review so many s**t slasher movies. One thing I’m not too keen on though is sexual perversion. In fact, I’m not a fan of any perversion at all. Now don’t get me wrong, I’m not against porn. In fact, watching adult material on a date is amazing and I thoroughly recommend it. Necrophilia though is not something I’m interested in knowing about. On that subject, I remember at my 2016 Christmas party, when I worked at Hays, we all had to drive up to Bristol, which was the head office of our region. I pulled a sexy little redhead on the high street after the disco and took her back to my hotel to get high. When we were pretty f**ked, I said to her, what’s the dirtiest sexual thing you’ve always wanted to do and not done? She replied, I’ve always been excited by incest. I went to the toilet, texted my Greek buddy and said, call me and say there’s an emergency. Looking back, it’s lucky I didn’t throw her out of my room stark naked. She wants to f**k her father? Drop me out.

That story I told you proves that there’s some strange people inhabiting our planet and I likely will meet the majority of them in my lifetime, knowing my luck. Anyway, on to Lucker the Necrophagus. So this is a slasher movie in the vein of Maniac, Bits a1236541236987412369852369874236987456987423626987456398563nd Pieces, Skinner and Blood Splash or in other words the bogeyman as protagonist style. These can work well sometimes and I enjoyed those I mentioned, but I much prefer the Halloween or whodunnit technique of stalk and slash. As I hinted earlier, this particular flick has become known in the horror community as a blood-filled extravaganza that take things to excess. I have to say that’s not quite the truth and whilst it touches on some extreme stuff, it’s reputation is somewhat overblown. The most gore you get is fake blood on a shirt or pouring from the mouths of victims. There is a scene where one woman is filmed holding something that looks like her intestines outside her shirt, but there’s nothing here that would rival the level of Nightmare at Shadow Woods, Intruder or even Pieces. One bit I guess I should mention is towards the end, we see the killer f**k a corpse. Whilst the makeup is ok, would a corpse rot that much in a week? Also wouldn’t he be vomiting from the smell? I’m not sure if it’s this scene that started the standing that this movie is explicit, but whilst it’s not a nice thing to watch, it’s far from extreme.

I mentioned Bits and Pieces and Maniac earlier as films that this could be considered somewhat similar too, but the main difference between them and Lucker is that they actually had something of a plot. B&P had the daft love story between the cop and Rosie our heroine, whilst Maniac had Frank Zito’s hinted obsession with Anna D’Antoni. Lucker had nothing at all similar and the entire runtime involves the killer stalking the final girl and murdering anyone else he bumps into. In a more traditional slasher movie like, I don’t know, Don’t Look in the Cellar for example, there’s actually a bit of story to break up the kill scenes and so we are excited for when the maniac returns. Hold on, I’m using Don’t Look in the Cellar as a positive example? Well that’s because Lucker doesn’t have anything aside from watching Lucker kill an infinite number of people that we know zero about. Director Johan Vandewoestijne never told the producers, who paid to fund the movie, exactly what he had in mind for the picture, including the necrophilia. When they finally found out what he had filmed, they reportedly destroyed the negatives and all that was left is what’s available today. Johan Vandewoestijne has said that he initially had a journalist in the synopsis that was investigating John Lucker and it was the reporter that sent the antagonist crazy and started the whole kill frenzy. I own the director’s cut and it doesn’t jump quickly like it’s missing footage, so it’s impossible to say if that’s true. There’s a chance Vandewoestijne said it to excuse the fact that the movie literally doesn’t have any setup at all. I guess the real truth is lost to time.

Whilst there are three male victims, it this were to be released today in this WOKE environment, there would likely be worldwide protests. The females are all incredibly dumb or hookers and none of them get a good time during the feature. If you considered some of the later Friday the 13th sequels to roll out victims with minimal exposition; during Lucker, some of them literally walk on the screen to die, sometimes with the bare minimum of dialogue. Whilst no one watches slasher movies for intense dramatic verve, the best features of the category have characters that we care about. One of the most basic rules of filmmaking is develop well the good guys, because the drama comes from wanting them to survive. Lucker is more like a collection of murders bolted together and whilst I never got bored, I had the same amount of emotional involvement as if I was watching a football (soccer) match between two teams I don’t care about in the French league. I did think a couple of the chicas were hot, especially one blonde victim, but that’s not the kind of emotion horror flicks should aim for solely. One positive I’ll mention is that the final chase sequence is excellent. Placed in a great environment and well filmed, I have to take my hat off to the director for his work there.

Necrophilia is not new to the slasher genre, check 555, Splatter Farm and Corpse Mania for more examples. Lucker is the movie that pushes it the hardest, but I don’t believe it would make the feature any worse if they didn’t bother with it at all. For a group of unknowns, the performances aren’t hideously bad. They’re not good in any way, but not as awful as say Don’t Look in the Cellar. I must say that the languages spoken naturally in Belgium are Dutch, German and French, but the English accents here are top class and we must praise that. The film is shot quite well, but I guess the main issue is the bogeyman doesn’t seem scary, despite playing off his rocker well. He’s a balding, short guy and I don’t know, maybe they needed a big masked Robert Z’Dar type actor. Don’t misunderstand me, I already said, he performed insane effectively, but he didn’t ‘look’ the part and it hurt the story. A creepy mask would’ve been another better option to make him more frightening. The net result is I don’t want to seem like a party pooper, because I know this film has it’s fans, but I personally think it’s overrated.

Killer Guise:

Gore:√

Final Girl:√

RATING: a-slash-above-logo11