Dead End 1999
Directed by: Iren Koster
Starring: William Snow, Victoria Hill, Matthew Dyktynski
Review by Luisito Joaquín González
Not to be confused with Jean Andrea’s Dead End from 2003, this Australian picture is barely acknowledged by fans, despite the fact that it received global distribution. I picked it up many years ago on VHS and it’s one of those that I’ve wanted to cover for a while, but my VCR Machine has seen better days and I haven’t had the time to pick up a new one. Recently though, I came across a shiny DVD whilst on vacation down-under and watched it on the flight back.
It tells the tale of a former detective turned author named Todd Russell that becomes involved in a spate of brutal murders. They are extremely similar to the last case that he worked on before retiring from the Force, called the Evergreen killings. The fact that he had so much knowledge of the original slayings makes him the key suspect and as the evidence and bodies begin to pile up, he is forced to get involved for a second time. Could it be that Todd Russell has lost his mind and moral compass?
I guess that the first question to answer with this feature is whether it qualifies as a stalk and slash flick or is it a thriller? Well whilst it doesn’t follow the traditional path of stranded teens against a malevolent force, it includes many Giallo trademarks, such as brutal slayings committed by a masked assailant, so for me it’s definitely on the right website here. Before watching it, I had sat through 1988’s Out of the Dark, which is generally considered a slasher and is almost interchangeable in terms of plot content and delivery. I would go as far as to say that this is even grislier in terms of its murders and therefore underlines the horror categorisation. Amongst those murders, whether intentional or not, we get a rehash of Al Filo Del Hacha’s car wash set-piece, only this time the killer strikes with a hook rather than axe. Later, we see the menace stalk a young girl in an elevator, which was similar in many ways to a scene from Mil Gritos Tiene La Noche. The assailant even looks the same in a dark fedora and mask and it made me wonder, was director Iren Koster a fan of Spanish slashers? That could well be the case.
Dead End’s biggest strengths can be found in its accomplished dramatics and ability to wrap viewers up in the enigma of its storyline. I did work out early on who was behind everything, but I was never 100% sure. There are numerous twists that pop up throughout the picture, which help to keep us engaged and the intelligent pacing works to sustain the tone of intrigue.
Perhaps the only thing missing was a bit more development into the choice of victims. One murder sees a girl literally walk on to the screen before she’s shot, so we really don’t know enough about any of them to care what happens. I would have hoped for at least one tense chase sequence, but there’s still a whole heap of suspense to be found in the complexity of the puzzle. The revelation part is handled well enough and I was amused by the survival techniques of one soon-to-be victim. Without giving too much away, I’ll just say that if all else fails and you look like Victoria Hill, then remove your underwear 😉
A film so driven by its characters needed good performers in order to succeed. Snow and Hill rarely have a weak moment and they are given a few tough scenes to work with. The star of the show is Iren Koster though, because he directs with an energy that keeps us on the edge of our seats. Aside from the obvious, filmmaking is mainly about placement, blocking, length of shots and location. In all of these, he did a sterling job. He has another horror movie under his belt that I haven’t got around to seeing, but I’ll definitely be checking it out soon.
Without hesitation, I would give Dead End a thumbs up. Whilst it may not be slashertastic enough to rival Friday the 13th or its brothers, there is loads here to warrant a viewing. I haven’t seen it reviewed anywhere else, so therefore it is yet another a SLASH above exclusive 🙂
Killer Guise: √√√
Final Girl: √√√