Category Archives: Guest Post
aka Kandie Land
Directed by: Eddie Lengyel
Starring: Haley Kocinski, Max Elinsky, Ari Lehman
Review by Donny Ybarra (Brother’s Grim)
I recently reached out to director/writer/horror aficionado Eddie Lengyel, whom not only let me screen the movie, but has been very eager to discuss this film too! What is nice is to be able to connect with filmmakers and discuss what it is that brings you together, in this case it is the love of the slasher genre! I explained to Eddie how much of a fan I am of slashers, I’m constantly on the lookout for new flicks, especially ones that have an iconic masked villain. Before digging right in I’d like to also point out that Mr. Lengyel has another upcoming project due out later this year called Naughty List, and yes, it is a Christmas slasher!
When you watch horror movies/slasher movies, what keeps you invested? For me it is the cast, and while there are some moments of dry acting, I’d say you can see the passion in this film from everyone in front and behind the camera, and that definitely counts. Now everybody knows Ari Lehman in the slasher world as the “kid Jason Voorhees”, but I have been watching some great indie slashers here lately and Ari is all in the horror mix and is fun in this film briefly. Having cast a horror vet in a slasher flick only adds to the appeal to me, kudos for bringing him on board. Another standout for me was Don Kilrain as “Jonah” who was our masked madman. With a name like KILRAIN, you expect to have one badass mother____%#^!!, and Jonah is that! Jonah is pretty imposing and is fairly creative when it comes to the kills. Another standout was Molly Miller as “Tiny”. Tiny was an interesting aspect to this film, she brought the “humanity” out of Jonah, and I don’t know if that is such a good thing! It was also nice to see Janine Sarnowski as “Luna” she was a familiar face from Chill: The Killing Games (which I loved!), and I really enjoyed her character in this one.
The plot for this one is straight up, you get a tragic past that creates this villain…who has grown to despise “pretty people”., so what do you think happens to a group of models that cross paths with this creepy brute?!?! Let’s just say, beauty is only skinned deep! I wasn’t really a fan of the scenes with the models, there was just not a character I cared about, I found the models rather annoying and not at all interesting (other than wanting them to die quickly), but they served their purpose.
Being a fan of iconic killers like Jason, Freddy and Chucky, what works for them is their motivations for killing and unique ways of doing so with a kickass look. I wouldn’t put Jonah up there with them, but I would say that if given a sequel I would love to see the “punish the pretty people” angle more to give our killer a little more edge. What brings this slasher up a notch from others is not only motivations, but the kills. This movie was pretty brutal, and dare I say offered up some inventive demises. You are treated to some old school practical effects too, no CGI blood! Also, the mask had no explanation with its origin, but it was fun to guess. Was it a “pretty crush” that turned Jonah down and he ended up taking her face? Who knows, but the hair on the side was creepy. The fact that the mask looked like old dried skin was creepy too, kinda reminded me of the native American slasher Ghost Dance .
I’ll forgive many a slasher film for acting if I know that some thought when in to the body count, which this movie racks them u nicely. The pacing is pretty fast and you get kills frequently. When the movie starts winding down, there is a scene towards the end with a couple trying to escape via row boat, which I thought was pretty hilarious. Another funny bit was the “prophet of doom” on the hoveround, if anyone is going to escape this movie it would be that old lady, after all she does have a head start! I wouldn’t have minded more of a chase scene towards the end, although I did enjoy that last kill quit a bit, it really made me squirm a little. Also, I was hoping for a “final girl” when I realized that at the end, Luna was it! Which broke the slasher norms and made me think of the “final girl” Alley Oats (played by Deborah Rose) from The Boneyard. This made the movie believable and gave us someone that could be a kickass character later too!
I always look forward to reviewing these indie films, many boast about being a “homage” to the 80’s, while I think others just do. With this one I do get a little nostalgia from that decade, it’s almost a mix of Leatherface: TCM 3 (1990) and a tad bit of Twisted Nightmare. I could definitely see this one released towards the later part of the 80’s, when most slashers just ran through a checklist of what it takes to be a slasher, which with today’s horror releases it isn’t a bad thing. I say give this one a peep creepers, two thumbs up.
I found Scarred to be a relatively fast-paced slasher that was both unique and grisly. I appreciated that the core characters had been developed beyond the hooker/stripper stereotypes to actually carry a screenplay and build rapport with viewers. I don’t recall seeing the gorgeous Hayley Kocinski in Chill, which is strange, because she’s got the Eastern European-type of beauty (her surname’s Polish) that I adore. Still, I thought she was good as the lead. I totally agree with Donny that ‘Tiny’ (reminiscent in a way of the ‘kid’ from Burial Ground) somewhat weakened the killer’s menace, but there was enough of an enigma surrounding his hate of ‘pretty people’ to supply a macabre aura. Whilst most of the victims make dumbfoundingly stupid escape decisions and some of the acting is sketchy, I can’t deny that Scarred offers all you want from a slasher spectacular. My only question is, what happened to the girl from the prologue?
Killer Guise: √√√
Dismembering Christmas 2015
Directed by: Austin Bosley
Starring: Nina Kova, Johnathon Krautkramer, Leah Wiseman
Review by Donny Ybarra (Brother’s Grim)
Oh, the weather outside is frightful, but the terror is soooooo delightful! It’s getting cold outside now and snuggling up with your lovey and popping in some classic horror movies is the perfect way to spend your chilly evenings. As a rabid slasher fan, the Christmas Holiday has contributed to those chilly evenings by the fire with some great horror films from the 70’s and 80’s. Some standouts like; To All A Goodnight, Home for the Holidays, Silent Night Deadly Night, Elves and the ultimate classic, Black Christmas (and I love the remake too, don’t judge me!), are always a fun watch. So what does a slasher movie called ‘Dismembering Christmas’ have to offer for the “old school” slasher fans? In fact, plenty. This is a surprisingly enjoyable ride. There is no found footage, no CGI and absolutely no convoluted twist. It’s literally a golden age slasher for fans, made by fans.
Kicking the film off was a pretty awesome cameo from co-writer/executive producer Kevin Sommerfield, I thought it was a great scene and really set the tone for the film. You may have seen his other Slasher Studious film, Don’t Go to the Reunion (2013). The aforementioned plays more to the post-Scream crowd, here Dismembering Christmas plays it straight to the body count films from the 80’s. Now, after a bloody start, we are introduced to eight friends that are traveling to stay in a cabin for the Christmas Holiday, unbeknownst to them there was a few murders years ago and somebody wants to make sure they remember this holiday….cue horror synth!
The cast shines, some more than others, and when the survivor/survivors emerge you get some truly kickass scenes. But it wasn’t the cast that sold me as much as it was the setting. The most exciting aspect about this film was the chilly snowy setting. Here, you have the cabin out in the sticks with nothing but snow for miles, this already isolates the viewers and sets up a nice dynamic later for some great chase scenes. Speaking of chase scenes, this movie had some great stalk and chase, major thumbs up. From running through treacherous terrain, to having to maneuver through the interiors of the cabin, the hide and seek with this killer was highly effective. Also, there were some really nice pov shots of the interiors of the cabin and the decorations, I immediately thought of Black Christmas as “Billy” made his way throughout the house. The dark reds and hunter greens reflecting the walls and interiors were highly effective in adding class without overproduction. Lots of small details like that elevate this film where others fall flat.
Now, on to the slasher, my favorite part of the film. This killer sports a wicked mask, it kind of reminded me of an interpretation of “Boo Hag” from Canadian Folklore, pale with long dark hair. Armed with a very interesting blade, this slasher gave good KILL. The kills ranged from stabbings to decapitations, to a very fun “wreath kill”. Goltz and Sommerfield know what their fans want, practical creative deaths, giving this film a pretty decent body count. There is a set piece towards the end where our final character discovers the lair of the killer, this was a nice addition to developing the motivations for the killer.
On to the negatives, which mirror my one complaint with Don’t Go to the Reunion, the runtime for the movie. This movie was short, at about an hour and seven minutes of content, I would have loved for about 10 more minutes. But this is a minor complaint, and if anything it shows just how much I enjoyed this movie. Despite the shorter runtime, having to not suffer through filler is much welcome, so more run time does not always equal better movie either. I’m excited for what slasher studious has planned for the future, I would love to see them tackle a camp inspired horror, something like an expanded version of Slasher Studious short film Teddy (2011), if you haven’t seen I suggest you watch immediately! Pick this one up now!
Lost After Dark 2015
Directed by: Ian Kessner
Starring: Robert Patrick, Jesse Camacho, Kendra Trimmings
Review by Donny Ybarra (Brothers Grim)
Happy Saturday a SLASH abovers… I am proud to present the first guest post from long time slasher fan and all round knowledgeable guy, Donny Ybarra. You may have seen some of his reviews online and I am happy to have him contribute to the glossy pages of a SLASH above. Here he’s chosen snazzy new killer in the woods flick, Lost After Dark. I am sure that you’ll enjoy his review as much as I did…
There is this current surge of “throwback” horror movies, most are set in the 80’s, with an emphasis on the body count slasher flicks. These particular types of horror films are made to celebrate the “golden age of slashers”, it also happens to be my favorite type of film. These throwback films have become extremely popular lately too, most have been quit successful with finding a cult following. Movies like; Billy Club, Bloody Bloody Bible Camp, the Legend of the Psychotic Forest Ranger, The Sleeper, Scream Park and many more have hit dvd/blu with welcome arms. The aforementioned films go back to simple stories that are big on gore and have some camp appeal, which set themselves apart from the post-Scream teen slasher influences and all of the other trends in horror that have dominated recent years. What I love about this movie is that it is set in 1984, kudos to director Ian Kessner and crew for really demonstrating their knowledge for what makes this year/decade great! From clothing to catch phrases, it’s all there.
Speaking of the 80’s, what sets this film apart from say recent “slashers”, like Unfriended (even though I quit enjoyed it), is that you don’t hate the teens. The teens in LAD are modeled from some characters you could have most likely seen in a Friday the 13th/Elm Street sequel. Because you get some character development, you are saddened to see these teens killed, and THAT is what gives this flick some rewatchability too. In a market that is congested with shaky cam documentary style filmmaking, it was great to get back to classic storytelling that didn’t involve any gimmicks.
Now, on to the meat and bones of the movie…pun intended! The movie starts out with the last two surviving members (of what was prolly another group of horny teens with bad decision making skills), fight their way from someone that looks like a Rob Zombie stunt double. This is by no means a bad thing, but a cool mask would have been a great addition to this greasy fella, but more on him later. The opening kill happens on the tail end of the 70’s, luckily for us the movie takes a huge jump to the year of 1984! We are then introduced to the sibling of our dear massacred flower child, Adrienne, who is still waiting for big sister to return home from what everyone thinks was a bad 70’s “trip”. Adrienne and pops have a touching moment before lil sis goes back to the plan her and her buds concocted, which consisted of swiping the keys to the family cabin for the weekend. The plot from this point on is fairly straightforward, kids sneak a bus out from Principle Mr.C (who is played respectively by Robert Patrick), and get stranded without gas on their way to the cabin. As the kids make their way around, dare I say, lost after dark, they come across the Joad house. One thing to keep in mind is, Junior Joad hates visitors!
JJ (as the kids should have called him), is a long haired cannibal creeper, which I always enjoy. Nothing says terror like happening across a psycho in the woods that happens to eat his victims and then adds their remains to a personal victory alter. Ian Kessler should be proud, he created a character that I say fits nicely in between the killer mutant from Humongous and Madman Marz from Madman. He grunts and talks in a muffled manner that is very reminiscent of some one that spent way too much time in the woods by themselves. Our dear JJ has quit the arsenal of weaponry too! He takes out all the cool guys and gals with bear traps and pickaxes, he gives good blood splatter! One kill involving broken glass and an eyeball made me squirm, and that’s hard to do for this seasoned slasher fan! Fulci would definitely be proud!
One by one the kids are taken out in gory ways, chase sequences ensue and it all ends in a way that makes you want a sequel. Some highlights from the film involve a hilarious “reel missing” sequence that was pretty funny. Another groovy thing is from time to time the picture of the movie would crack or a scratch would appear, it wasn’t overdone so that was a plus. My favorite thing about the movie is that who you think will be the “final girl/guy”, sadly will not be. This movie did a good job of keeping the kills unpredictable. I won’t say if there is a survivor, but I will say I was quit pleased with the end, despite is seeming a tad rushed.
In a movie market that is congested with shaky cam documentary style filmmaking, it was great to get back to classic storytelling that didn’t involve any gimmicks. There are some great shots of the interiors of the house and the unique display of “artwork” from the killer, think Leatherface but with an eye for installation art. All those add up to a worthy “throwback” slasher that actually succeeds at throwback! Give it a spin, it’s pretty RAD!
Thanks to Ed Peters for sending me a screener from Anchor Bay Entertainment, I really enjoyed it!
Friday the 13th VI: Jason Lives 1986
Directed by: Tom McCloughlin
Starring: Thom Mathews, Jennifer Cooke, David Kagen
Review by Eric LeMaster
Well… hello again!
When I was a kid, I never went to summer camp. I had a few opportunities to go to a local Christian camp called “Camp Nathaniel”, but never tried to complete the Bible-themed workbooks required to guarantee free attendance. When I was confirmed into the Episcopal Church in April of 2009, the ceremony was held at a camps and conference center in (very) rural East-and-South-of-Central KY. Having already been a fan of slasher movies, I was VERY happy to be there.
I have been there many times since, but this first experience of an overnight stay during this first time gave me the “feel” I needed to truly appreciate the “forest” slasher. While I (previously) never cared for Slashaway Camp, I soon realized why it became a classic. Friday the 13th movies moved much closer in rank to my beloved Halloween movies.
Anywho– Friday the 13th Part 6: Jason Lives:
After Tommy Jarvis (Corey Feldman) “killed” Jason in Part IV, and after Tommy (then John Shepherd) confronted a “different” Jason in Part V, Tommy (now Thom Matthews) takes a fellow escapee to a grave yard in Crystal Lake (Now “Forest Green”) to ensure that, once and for all, Jason is truly dead. When lightning strikes a metal fencing sphere that was stabbed into Jason’s body, Jason is revived and returns to bring havoc upon his home turf!
Part 6 introduces Tony Goldwyn in his first role. He dies very soon in the movie, but it’s nice to see such a respected and recognizable face in the film. Other notable actors and actresses who appear are Renee Jones (from Days of Our Lives), Tom Fridley (nephew of John Travolta); and Jennifer Cooke (from V, and Guiding Light), as Megan, our “final girl.”
Writer/Director Tom McLoughlin does a fine job at creating atmosphere and great humor– something that has developed a love/hate relationship amongst fans of the franchise. The movie was well-shot, and the actors and actresses involved were very talented; in fact, their on-screen cohesion is among the best I’ve ever seen amongst the cast in a slasher.
The MPAA required a number of scenes to be cut from the film (What’s new?); but, regardless, it plays well as a result of good editing. Sissy’s death scene was removed completely, the backbreaking scene in the cemetery was originally longer, and the Tommy/Jason fight was trimmed.
Also, the soundtrack was quite good, and with a lot of tracks from Alice Cooper. He’s Back (Man Behind the Mask) was made into a music video featuring Jason stalking a theatre, and was popular back in the day. Teenage Frankenstein was also featured on his popular Constrictor album.
I really have nothing but good things to say about this entry. If I had anything bad to acknowledge, it would be that there are times when the dialogue can seem a little over the top: Tom Fridley’s (Cort) excessive uttering of “This is great!” comes to mind…
Regardless, I give the film a 4 1/2 out of 5 starts. Part 6 is, for me, the best entry into the Friday the 13th franchise, and one of my favorite slashers of all time– second only to Halloween 4, the movie I previously reviewed.
As a side note– as an autograph collector, I had the great opportunity of having friendly contact with Tom Fridley, who I find to be an all-in-all awesome guy. It’s always great when I can collect from the actors whose work I have so enjoyed!
Luis’ view: Also one of my favourites of the series, Part VI stands apart because it successfully blends some gooey ‘action horror’ with a satirical ability to poke fun at itself and its franchise predecessors. I still believe it to be one of the slickest and easiest to watch of the series, but it perhaps lacks the haunting tone that was so successful in part II. This was one of the first slasher movies I ever tracked down and I remember having a youthful crush on Jennifer Cooke. On top of having a feisty heroine, I also liked the soundtrack, which included Felony from Graduation Day. It’s a shame Tom McCloughin didn’t return to the franchise/genre. Whilst it is a treat to watch, it was perhaps the first Friday to have a cartoonish ‘popcorn’ feel. This is something that the series never really recovered from and I would say Part IV was the last truly scary entry. Four stars from me..
Killer Guise: √√√√
Halloween 4 1988
Directed by: Dwight H. Little
Starring: Donald Pleasence, Ellie Cornell, Danielle Harris
Review by Eric LeMaster
Buenos Dias and Happy Valentine’s Day a SLASH abovers, I’m extremely proud to include a guest post from regular reader Eric LeMaster. For his debut, he has chosen the film that got him hooked on the genre and I am sure you’ll agree that he’s done a sterling job of describing for us what he loves about it…
Halloween 4 is my favorite horror movie of all time, so I was quite thrilled when Luisito asked me to write my first guest review about this– what I believe to be– a gem of a film. Some don’t appreciate this instalment because they believe that Michael should be dead– and by all rights, he should have been after the hospital explosion in Halloween II. If you take the movie at face value, it’s a wonderful entry into the sub-genre that is the SLASHER FILM!
Many years ago, I watched this for the first time on AMC. It succeeded in getting me hooked on slasher movies. The setting and the realistic premise of a madman who wants nothing more than to kill you makes slasher flicks pretty much the only style that can give me chills. The wonderful cinematography and utter darkness of the film bring something special that “budget” movies just don’t ever seem to give.
To prepare for this review, I popped in my Blu-ray of Halloween 4– that’s right, I own the Blu-Ray. Does that make me cool? No? Ok. Continuing… The montage of Midwestern Autumn scenery immediately brings me back to my childhood, though not too far, because I can still see the rickety farm buildings and “country” scenery around where I live. Eastern Kentucky hasn’t grown up much; we’re stuck in 1988. The only thing that could make the film seem more “true to the area” is if John Cougar Mellencamp sang the score– and I guess that just wasn’t on the cards.
After Halloween 3 flopped due to the removal of Michael Myers, Moustapha Akkad wanted to continue the franchise and bring back its iconic villain. John Carpenter and Debra Hill weren’t on board for another Halloween and sold their rights to the series, so Moustapha found the very talented director, Dwight Little.
Alan McElroy would write the script and finished it in an amazing eleven days. Ellie Cornell, whose only previous acting experience included an episode of Thirtysomething and a minor role on Married to the Mob, would play the seventeen year-old Rachel Carruthers, the foster sister to the main protagonist, Jamie Lloyd (the lovely, young Danielle Harris) the daughter of the late Laurie Strode (who apparently died in a car accident).
Donald Pleasance signed on to continue his role as Dr. Loomis, the once psychiatrist of Michael Myers, who would continue to chase him and try to end Michael’s killing spree once and for all. Also signing on were Sasha Jenson who would play Rachel’s boyfriend (Brady), Beau Starr who would play Sheriff Ben Meeker, and Kathleen Kinmont would play his daughter, Kelly Meeker.
We begin the fun with an ambulance traveling in a rain storm. We find that Michael is being transferred from Smith’s Grove unbeknownst to Dr. Loomis. Once approved for transfer, Michael is wheeled into the ambulance. Per the conversation between the EMTs, Michael discovers that he has a living niece and decides to murder his only living blood-relative. He kills the ambulance workers and makes his way back to Haddonfield.
True to form, Dr. Loomis becomes concerned with the transfer and begins to question the head of the Sanitarium. While he’s there, the manager receives a phone call informing him of the accident. Overhearing, Loomis takes off and lets his sixth sense of Michael’s whereabouts take over.
What happens after then? Much trick-or-treating, high school drama, and some high class stalking! There’s even some humor, too. The scene with the “traveling Reverend” is hilarious, and adds some comic relief to a more serious film. You’ll have to see it all for yourself.
To say that I recommend this film would be an understatement. It’s got plot, it’s got good acting, it’s got a great score by Alan Howarth, and it has some good gore. I beg you to see it. Don’t watch it as a perfect continuance of the series and you will find that it’s a gem. If you don’t like it for all of these things, at least you’ll enjoy it for it’s 80’s vibes– and boy does it have it. If you’re like me, you’ll fall in love with Ellie Cornell, and if Danielle Harris isn’t one of your favorite child movie stars, you’ll more than likely change your opinion.
This movie is widely available on DVD and Blu-Ray with or without its less amazing partner, Halloween 5; and, if you’re lucky, you can catch it on AMC like I did.
Luis’ view: Whilst I agree with a lot of what Eric has said here, I must confess it’s a three and a half star rating from me. The main cast members show a lack of range in their dramatics and the bonding ‘acting’ scenes don’t look credible. It’s left up to Donald Pleasence to be the film’s only competent performer, even if he was slumming it at this point of his caeer. Another thing I disliked was the vigilante set-up with the goofy redknecks. I thought that those scnes were unrealistic and made the film far too popcorn/unrealistic and the scenes ruined the menacing tone. There’s no denying though that this is somewhat underrated due to its darkness and engrossing story. The ending was grim and truly a shock: it’s just a shame that the filmakers behind Halloween 5 didn’t have the cojones to continue the theme. Dwight H. Little is competent in the director’s chair and overall, the movie just about works. Whilst it may be slightly disjointed and Michael’s mask doesn’t look as threatening, it shares more with its elder siblings than any of the latter installments. It is better than part 2, which I do not hate.
Killer Guise: √√√√
Final Girl √√√