Slasher Shorts Reviews Issue 1
Reviews by Luis Joaquín González
a SLASH abover Paul Morris sent me an email a while back asking why I don’t review many slasher shorts on the site. I guess the reason is because I post a review once a week and I’m used to covering a feature-length movie. There’s only so much that you can say about a film that’s a few minutes long and I write about 800 words about each flick that I watch. Then suddenly it dawned on me, why don’t I just review a few together!?! Ta-da. (It’s hardly inventing the wheel, but you have to understand that sometimes, I’m not the quickest)
So, every now and then from here on out, I’ll post an update here that’ll feature the shorts that I’ve watched and my opinion on them. I own quite a few and with many I have zero information on how they were put together. I apologise in advance if I don’t provide all you need, but they’ll all be slashers and I’ll give what I can:
Dead Air 2014
Directed by: Zac Morris. Running time: 6 Minutes
Set at a dorm party on Halloween night no less, Dead Air focuses on revenge for a prank that went wrong some time ago. At just over five-minutes, it’s a fun little flick, but doesn’t particularly explode with an abundance of potential film making quality. Whilst it’s creatively shot, the killings are all off-screen, I didn’t think much of the performances and there are no new gimmicks or tweaks to the formula. Cool black mask though and I will admit, if this was a teaser for an up and coming slasher, I would be adding it to my ‘to watch list’.
I, Murderer 2014
Directed by Dipayan Chatterjee. Running Time: 7 minutes
A poignant and disturbing seven-minute flick from India that will certainly make you think. I don’t agree that the slasher genre is the right place for political or campaign messages, but I’ll make an exception here because it truly is beautifully shot and professionally edited. I am very much pro-life. As a conservative, I consider abortion the same as murder. When you conceive, your baby has eye colour, hair colour, personality, his build etc. Abortion is murder pure and simple, but is the slasher genre the right place for tgis message? I have to say, no. If we forget about the concept for a moment, we can credit the haunting mask and musical accompaniment, which is top-class. I guess in this over-populated rat-race of a world that we live in, we need to think more about this subject, take precaution and as we say in Spain, controlarse y tened cuidado.
Fear the Reaper2004
Directed by Keith Munden. Running Time: 28 minutes
The first of Munden’s Reaper trilogy, this one tells the tale of a supernatural murderous being that’s stalking and murdering youngsters around a small residential area. A plump teen has a bizarre connection with the killer and sees what he does in visions and dreams, which means she must try to stop him. A few good moments that border on suspense are ruined by a disjointed flow and the fact that we can barely see anything some of the time. Even when we are given clear day shots, it’s still tough to follow, because the plot has the narration of melted ice cream and even repeats a few minutes of the SAME scene toward the conclusion. I can only presume that the editor was with his friend LSD when he put this together. Still, for a big fat 0 budget, it does show signs of potential here and there.
Directed by Steve Goltz. Running Time: 11 minutes
After a group of kids run down an old man by a roadside, a masked killer follows them camping to take revenge. Here we have the debut movie from Slasher Studios; the team that would go on to bring us Dismembering Christmas and Don’t Go to the Reunion. It’s a dose of extreme slasherism that’s confidently produced and tells an entire I Know What You Did Last Summer-type story in eleven-minutes, which is some achievement. Keeping in mind the bite size runtime, the characters are well conveyed and the film goes all out to impress. A true tribute to everything that we love about slashers, the use of the teddy bear and a cool mask are welcome inclusions. With four murders, some gore and a sex scene, you get bang for your buck, it’s just a shame they couldn’t chuck in some suspense. Still, as slasher shorts go, it’s a definite must see.
She’s Not Alone 2012
Directed by Mike Streeter. Running Time: 8 minutes
The slasher genre went through a bizarre referential phase recently, where there were a host of entries that played like Z-grade Elvis tribute acts to the peak period. I can honestly say that I can’t name many that managed to pull off the retro gimmick as well as this classy and stylishly directed addition from Mike Streeter (a name to watch). Everything from the music, props, fashion and style is pure nostalgia. It annoys me with shorts that if crews only need to fulfil a few minutes of screen time, why can’t they make the most of each shot. We are given a plethora of good camera work during SNA and even some tricks that Carpenter himself would have been proud of. In fact, if someone told me that Carpenter had directed this, I probably wouldn’t feel the need to question. I can’t give She’s Not Alone any more credit that that.
Pesadilla Sangrienta 2006
Directed by Marceleo Cabrera/Felipe Paredes. Running Time: 7 minutes
A pretty nothing-ness slasher movie that was likely filmed on a cheap mobile phone. Zero dialogue, zero gore and you can’t see what’s going on most of the time. No real story with this one outside of a guy with a Guns n Roses-era Slash-style haircut stalking a girl that has one too, which only adds to the confusion. It’s great that people make slashers at home, but I can’t give them credit if they’re this bad.
Directed by Ryan Shovey. Running Time: 12 minutes
This one was originally meant as a teaser for a feature length slasher that thus far hasn’t materialised. It’s a shame, because Hunter really is a superb slice of slasherism that much like She’s Not Alone, shows heavy Carpenter influences. It’s set inside a house and so we don’t get given much space, but Shovey delivers suspense, shocks and some Argento-alike camera tricks. The killer is creepy as hell too. What I thought worked best was the fact that we got to know the two characters in only twelve-minutes, which was a sign of good scripting. I understand that the director is working on another slasher movie, so let’s hope it turns out to be as stylish as this.
Title Unknown 2011
Directed by Unkown. Running Time: 9 minutes
I have no information on this one or even its title, which is a shame because I kind of have a soft spot for it. The whole production reminded me of mid-nineties SOV titles like Savage Vows and it has a similar type of attractive obscurity. It tells the tale of an ambitious Deputy that wants to rid the town of a vicious masked killer, but the Sheriff is less eager, which raises suspicion in the eyes of the apprentice. Whilst there’s no gore and the score has been borrowed from other hits (even Halloween), the killer’s mask (reminiscent of the Monk from Terror Train) and a couple of impressive shots make this one interesting. It’s by no means a polished example of great filmmaking, but it gains points because it’s so reminiscent of the days of buying cheap VHS from stores/websites.
Directed by David Dinetz, Dylan Trussell . Running Time: 8 minutes
Chainsaw was presented by Eli Roth and it tells the tale of a huge maniac stalking a Haunted House at a theme park. It’s certainly amongst the most gratuitous shorts that I’ve witnessed and includes some extremely graphic shots of a chainsaw-blade cutting into flesh. Whilst it is an extremely modern picture with its MTV flash cuts and CGI, it had an interesting comment on voyeurism, which was a key theme of Tobe Hooper’s Funhouse. Bizarrely, the intro reminded me of the brilliant Derek Cianfrance drama, The Place Beyond the Pines. Definitely one for gore hounds.
Panic Fear 2015
Directed by John Francis Conway III. Running Time: 5 minutes
Panic Fear won’t take up too much of your time, but it makes a statement with its structured shots and inventive camera placement. I appreciated the lengths that the director went to for realism by demonstrating how victimised we would be if a similar scenario were to strike when we least expect it. The smart use of muffled external sound worked wonders to set-up the theme of a killer invading a place of complete seclusion: our home. In fact, this one becomes more scary upon post reflection. I’ve seen thousands of people butchered in slasher films, but this one just felt a little more ruthless than usual.
Directed by Jarno Mahlberg. Running Time: 12 minutes
If I had to compare this Finnish slasher with any other that I’d reviewed of late, then it would have to be Murhapukki, which funnily enough hails from… Finland. Whilst I don’t like horror comedies that go out of their way to try to be funny, I’m a big fan of black humour or a slice of the tongue in cheek. Axecutioner overcomes its low budget with a huge chunk of fun that I thoroughly enjoyed. There’s some very cheap gore that is creatively displayed and the outlandish camera angles are Scott Spiegel-esque. It’s as standard as could possibly be in terms of plot (three guys go to a cabin in the woods to drink whilst there’s a masked nut on the loose), but it ticks the boxes with its overall campiness. This one reminded of cheesy eighties hits without broadcasting that it’s doing so.
Time to Die 2011
Directed by Madness INC. Running Time: 10 minutes
Whilst on the subject of Horror Comedies that work, here we have one on the complete opposite end of the spectrum. At nine minutes and thirty-nine seconds, Time to Die is nine minutes and thirty-eight seconds too long. From what I could make out from the bad audio, it tells the tale of a group of misfits that have paid for a time share or something along those lines to explain away the threadbare plot. Before long, a killer that looks like a throwback from the Kiss glam metal era offs a handful of them in slapstick ways. Look I appreciate that this is just a group of friends having fun, but I have to call it as I see it and what I saw sucked like a mosquito on steroids. To make a comedy work, you either need jokes that are, well, funny or an obvious source code for what you’re mocking. I had no idea what was going on here and wish they hadn’t have bothered. In fact, it made me wish it was time to…
Killer on the Loose 2015
Directed by Mark Baliff. Running Time: 15 minutes
Here we have an expertly taut and cunningly smart slasher from director Mark Baliff that definitely needs to be seen. It demonstrates style right from an opening credit sequence that incorporates a handful of creative shots of Halloween props to build the tone. We then cut to a blood stained girl that’s fleeing a hockey mask sporting stranger. She manages to sneak into an unoccupied house where a cat and mouse game of hide and seek begins with the would-be assailant. Killer on the Loose includes a bundle of references to Halloween and Friday the 13th (including an abode very similar to the Myers House and Night of the Living Dead playing on the TV). It’s no carbon copy though and builds up to a unique and impressive conclusion. What really stood out for me, aside from the aforementioned structured shots, was a strong use of sound and gothic lighting. If the slasher genre is left in the hands of filmmakers like Señor Baliff, we have loads to look forward to.
The Welder 2015
Directed by Justin Cauti. Running Time: 15 minutes
Three girls head to their college to meet Trey, the boyfriend of Alex, who’s celebrating her birthday. Little do they know that a psychopathic Welder that was mutilated ten-years earlier is back for revenge. With a decent budget, killer guise, location and score, I was disappointed that this one wasn’t better. Most of the characters are the brash-cocky-brat-type that ruined a plethora of post-Scream entries, except one; but he doesn’t last long enough to make an impression. With nothing to attract me to the victims, I was hoping for some gore or suspense, but aside from a couple of interesting shots, it was mainly put-together with minimal flair. It’s hard to find fault with the hulking maniac and his deranged heavy breath, but the film lacks the polish of others I’ve reviewed here. Still a killer Welder is a good idea for a feature length picture guys..
Directed by Will Morris. Running Time: 4 minutes
Porkchop was so bad that it ruined the concept of a cool killer ‘Pig Head’ guise. Thankfully, Squeal improves upon the lacklustre Chop but still falls short of giving us a great and gratuitous gammon gore fest. It tells the tale of a group of girls at a party that are stalked by said maniacal assassin; but this guy has a deranged but intriguing motive for his attacks. As expected, he looks pretty menacing clutching a scythe, but some awful acting and overuse of a strobe effect prevents the film from really impressing.
Night Night Nancy 2011
Directed by Lewis Farinella. Running Time: 5 minutes
I have often believed that surrealism would be a good blend with the Slasher genre, but in fairness we haven’t seen many attempts at introducing the concept. The idea here was definitely to make a visual interpretation of a bad dream and the net result was fairly impressive. A young girl wakes up alone and discovers that there’s a masked intruder in her house and so she tries desperately to escape his clutches. What I really liked about Night Night Nancy was the killer’s awkward limp and deranged breathing, which really gave the impression that he/she was seriously disturbed. I also thought that incorporating a mobile phone as a source of terror was smart and the conclusion conveyed a nightmarish quality. The final girl made some silly decisions, but mostly it worked well.
Forest Falls 2012
Directed by Ryan McDuffie. Running Time: 27 minutes
At just under half an hour, Falls is longer than many on this page and it’s also one of the most unique that I’ve featured. The plot line starts as have a million others, with a group of teens heading up to a secluded camp site to indulge in some beer drinking and partying. It’s when the killer reveals himself BEFORE starting the bloodletting that the film heads off on a pathway that’s ambitiously uncommon. Whilst I am not really sure if I enjoyed everything I saw here, I can’t knock director Ryan McDuffie for trying to break the mould. Our masked killer is no Jason Voorhees wannabee and dispatches his victims rapidly with a handgun, which takes the ‘slash’ out of any slasher flick. I also didn’t think that knowing who the killer was from the outset worked, because it removed any intrigue or mystery that may have made him more ominous. Still, there’s no denying that Falls is expansively produced and I was impressed by some of the acting. The sets are slick and well-lighted and the movie opens with a Doo-Wop song, which added some real culture. It’s just that for me, guns in slashers are like sausages at a Vegan banquet – totally out of place. The film just couldn’t recover from that.
Midnight Man 2011
Directed by Kyle Stackhouse. Running Time: 4 minutes
Midnight Man is another of the many shorts that chooses a ‘one woman alone in apartment’ set-up to deliver some creative visuals. Here we have a maniac with a creepy mask (reminded me of the the antagonist from Final Scream) stalking a blonde female in her bedroom. The director uses some neat sound and a couple of Carpenter-alike ‘boogeyman looming in the background’ shots to add class, but it’d been nice to have seen more of a struggle from the victim or even a chase sequence.
Pizza Man 2015
Directed by Todd Condit. Running Time: 5 minutes
Interesting idea for a slasher movie, where the boogeyman is your Pizza Delivery guy! In honesty, these couriers get a hard time, because they bare the brunt of your wrath if the food’s late (even if it’s rarely their fault) and they don’t get a tip as would a Taxi driver. Shot in black and white, Pizza Man plays well on the fact that waiting around for a meal is the most antagonising thing in the history of food. Whilst there’s not a lot of suspense in the way the stalking is rolled out, we do get some gore and a killer Delivery Guy who’d make a great spouse for the chick from Pizza Girl Massacre don’t you think?
Directed by Steve Piché. Running Time: 3 minutes
Well this one wins the award for the shortest title of today’s post at under 180 seconds, but that surprisingly doesn’t make it any less enjoyable. A Slash abover Martin was involved in the production of this one over ten years ago and he kindly allowed me to review it for you all today. It only shows the stalking and slashing of an unfortunate wanderer, but there’s definitely a chunk of credibility on display. We get some nice low camera angles, a machete through cranium killing and a slow stalking maniac in a burlap sack, which regular readers will know is my favourite guise.
Tear Her 2014
Directed by Ricky Bird. Running Time: 6 minutes
Creepy little short from Hectic films that was made as a tribute to watching scary movies on VHS and dealing with inconsistent tracking. Rather than reminisce about my VCR though, the mazy screen and some chilling sound effects gave Tear Her a nightmarish feel, which helped to make it fresh. It shows a killer in a terrifying mask stalking an unfortunate model in a large dilapidated complex, which may not be much in terms of novel scripting, but works because it’s uniquely put together. I always have believed that the best horror is the type that goes the extra mile. Tear her does just that
Posted on March 19, 2016, in Slasher and tagged a SLASH above exclusive, burlap sack, Canada, cheesy wotsit, Hot Chicas, killer in the woods, masked killer, Rare Slasher, Slasher, slasher in the house, USA. Bookmark the permalink. 5 Comments.