Movie Machine Massacre 2014 Review
Movie Machine Massacre 2014
aka RedBox Killer
Directed by: Mark Demise
Starring: Melissa Mania, Tim Schultz, Eric Hamilton
Review by Luis Joaquín González
Ok so we all hate hypocrites, right? I dislike them too, but it looks like I’m about to become one. I said something in my review of President’s Day that I may need to adjust a tiny bit here. I stated that after watching, it’d be hard for me to excuse a film’s failings as ‘budget related’, because Chris LaMartina had made a slasher extravaganza on a meagre $5,000. What I didn’t keep in mind was that there are entries out there that were put together for not even a third of that funding. Entries like Movie Machine Massacre.
Shot on an old VHS camcorder, Mark Demise’s slasher is one of the cheapest things that I’ve ever seen. It’s likely that you could find more expensive products at a charity shop sale. I got the chance to ask Demise what the budget was for the production and he answered, ‘There was no budget’. Alrighty then! At the time of writing, it’s not listed on the IMDB, its only website is on Facebook and it only exists through word of mouth. It’s a real-life Urban Legend…
Queuing customers at RedBoxes are being slaughtered by a vicious masked killer. Before long the head of RedBox is asked to share his views on the situation, but when his secretary disappears, he decides to assist with catching the culprit…
This could in fact be the hardest film that I’ve ever reviewed. Saying that it was good would be wholly inaccurate, but completely criticising it would be somewhat unfair. To give you the basics, Movie Machine Massacre is as bare bones a feature as could be possible. Everything is shot handheld with one camera and we lack structure or definition in all that we see. The dialogue is purely functional and as it was filmed on VHS cassettes, the picture quality is shady at best. Demise chooses wisely to convey the majority of the action in the daylight or under brightly lit backdrops, but we still struggle sometimes to make out the visuals. Perhaps the parts that underline the film’s values the most are the ones that are filmed in what’s supposed to be the CEO of RedBox’s office. It is literally a small bedroom in someone’s house that Demise and co have placed a desk and a laptop in!
The cast is made up of amateurs with no previous experience and it’s not really acting because they pretty much play themselves. With such lightweight scripting, it’s tough to ascertain if there’s a central character to root for and victims walk onto the screen from obscurity only to exit and return to obscurity straight after they’re dealt with. Did they even have names? I don’t know. Still, I would ask you to put your glass of (strong) alcoholic beverage down for a second, because despite all of the stuff that I’ve mentioned above, Movie Machine Massacre actually has moments that I thought were quite good.
There’s a grim score that accompanies many of the stalking scenes and the shaky handheld camera is incredibly effective for bringing realism to proceedings. For the first twenty-minutes or so, I was so impressed by the way that the antagonist was handled that I was reminded of the creepy priest guy from Goodnight Godbless. This is especially evident in the parts that see him flicking through TV channels whilst toying with a knife, because the psycho padre in Godbless did exactly the same thing. I remember that also having a gritty underground vibe that was maybe inadvertent, but unshakeable. There’s just something about the grainy videography and the gothic tone here that manages to create an unsettling fear factor. It could be argued that Demise fails to build upon/sustain it for long enough, but it does leave an effect while it lasts.
Another thing worth mentioning is that Massacre actually has a point to convey. The director was tired of seeing mom and pop video stores go under amongst the plethora of online rental services and movie machines, so this is his camcorder recorded message to those guilty parties. He had originally called it, RedBox killer, but in order to prevent himself from being sued and because he believes his film will outlive the RedBox business model, Demise changed the name to the one that I’ve posted this review under. Oh and before I forget, there’s a rock group featured that play at a club where the killer strikes. It’s not unusual to see a band in a budget slasher, but these guys are surprisingly good. They’re like an eighties hair metal act with a rugged core and they really make the juxtaposition work. I’d buy their CD if I knew were one could be found…?
As I alluded to above, it’s impossible to recommend Movie Machine Massacre as a worthwhile feature, but I’m glad that I watched it. There are a lot of killings, a solid tone and an intelligent motive that we’ll most definitely agree with. The film gives a new meaning to the word ‘cheap’, but it’s still bizarrely alluring – even if we know it shouldn’t really be. I don’t think there’s anything else out there to compare it with, which is a subtle compliment in itself.
Posted on September 26, 2015, in Slasher and tagged a SLASH above exclusive, cheap as chips, masked killer, Movie Machine Massacre, Rare Slasher, RedBox Killer, USA. Bookmark the permalink. 1 Comment.