Methodic 2007 Review
Directed by: Chris Notarlie
Starring: Ted Prior, Sandy Brooke, John Eastman
Review by Luisito Joaquín González
Ok so I’ll openly admit that I wasn’t clucking with anticipation to see Methodic. I’d been told that it was a tribute to John Carpenter’s Halloween and the last one of those that I’d watched was Offerings. Yea, exactly, someone pass me the Xylazines. Then, however, I saw that it had been directed by Chris Notarlie and I felt a slight flutter of interest in my brain. Like the last flaps of a dying moth, there was something there. The silver lining in the cloud? The light at the end of the tunnel? The wood between the trees? Well, maybe.
You see Notarlie has generated a buzz in the world of fan films for his cult shorts that you can find scattered across the Internet. These include tributes to icons of the superhero and slasher genres, which is great because the second of those categories is the one that we discuss every week. Zipp-a-dee-doo-daa! Amongst his lengthy résumé is Friday the 31st, a 22 minute story that pitches Jason Voorhees against Michael Myers in a fairly impressive setup. Whilst not being totally convinced that I was in for a good time, I did feel keener than I had previously. Like the last flaps of a dying moth? No, I’m talking butterflies baby…
After murdering his parents with a hammer, a nine-year old child is sent to an asylum. When his younger sister attempts to connect with him, it stirs his anger and he breaks out to confront her and murder anyone unfortunate enough to get in his way.
If you’re a fan of slasher flicks then you can consider yourself to be a unique individual because to be honest, there’s not very many of us about. There’s nothing quite like the buzz of meeting someone who shares this same passion, because it makes you feel connected in some miraculous way. The fact that Notarlie broadcasts his love for the genre everywhere possible, means that I automatically took a shining to him and wanted to like his debut movie so much. You don’t need to be a genius to work out that there’s a big difference between a thirty-minute short and a full length motion picture, but even so, I wasn’t quite prepared for what I got with Methodic
Ok, so things started positively. There’s a Cloverfield-alike camcorder launch to the proceedings and the characters discuss the likes of Madonna to set the retro eighties vibe. The dialogue and interactions between the people on the screen feels genuine and unforced and I was impressed by the tone that was building. We are introduced to a slightly peculiar child who seems sure to be our bogeyman and we don’t have to wait long to see that this is the case. Within ten minutes, he has taken a claw hammer to both of his parents and the screen fades to black. With the end of that intro not only are we waving goodbye to the period references, but also to the impressive level of filmmaking ability.
I picked up on this fact for sure after the scene twenty-minutes in, that involves two cops sitting in a car chatting. Instead of the typical shot reverse shot setup, Notarlie incorporates some strange camera angles and it just feels like the cuts are harsh and in all the wrong places. I was guessing that these were supposed to be hard as nails officers of the law, but their first conversation is about how they found out that their women were cheating on them and with how many men. Are you sure tough guys really talk like that? Can you imagine Dirty Harry; ‘Do you feel lucky punk? Luckier than me because I just caught my wife in bed with the milkman? Well, do ya?’ Or Pulp Fiction, ‘I’ve given a million women a million foot massages and they all ran off with the cable guy.’ I mean I’m all for cutting out the clichés, but this just felt weird.
Generally in a slasher movie, it takes, what, ten minutes for the bogeyman to have broken out of the asylum. Here we get to twenty-eight and fifteen of them could have been left on the cutting room floor. One line of dialogue from the psychiatrist would have summed up everything that happens between the kid killing his parents and then escaping the institution. So he’s a silent weirdo that hasn’t responded for fifteen years, ok comprendo, let’s move on. This time may have been spent developing the personality of his younger sister, our obvious final girl, because thus far we know only that she swears and has a great ass. Now I love great asses, but I don’t invest emotionally in every chick that’s got one. Physically, maybe; but that’s another story for another day.
The action really starts after the breakout part, which was strangely intercut with another sequence, but was quite exciting and well conveyed all the same. I was impressed that for someone that hasn’t been able to move unaided or respond for fifteen years, the bogeyman knows how to drive and make a scary mask with a sewing machine. My ex-wife couldn’t even turn on a sewing machine or drive a car and she responded all the f**king time. Especially when I didn’t want her to. This nutjob though is blessed with a lucky streak that makes me wonder why he didn’t take a moment’s break from slashing to do the lotto. Inside the first house that he breaks into, he finds not only the aforementioned stitching apparatus, but also a pair of jeans and a t-shirt that a tailor couldn’t fit for him any better. It takes me forever to purchase a decent 38″ chest and 32″ waist damn it.
Soon after, he begins cruising the streets and stalking his little sis and her buddies. These include two lesbians that give us an exploitive and totally unnecessary sex scene. To be fair, there are a couple of creepy shots and a bit of ingenuity in the final third and a ‘borrowed’ twist that I really wasn’t expecting. I recommend keeping the sound low though, unless you want your ear drums damaged by some hideous death metal. Why can’t we have a maniac that goes around slaughtering people to something melodic? Pat Boone anyone? Forget melodic peeps, this is Methodic, but exactly what that method was, no one knows. It sure as hell wasn’t the acting.
Now let’s be frank about this whole situation. There is absolutely no doubt in my mind that Chris Notarlie is a talented filmmaker and most definitely one to watch for the future. Not everyone has a strong debut and I’m sure that he has a good career in front of him. Methodic however is plagued basically by bad pacing, lighting, continuity and editing, but these are elements that can improve with practice. This may not be an entry worth much of your time, but I will most definitely look out for other stuff from the same director
The potential is there. I’ll be the first in the queue when it’s realised
Killer Guise: √√√
Final Girl: √√