Urban Legend 1998 Review

Urban Legend 1998

Directed by: Jamie Blanks

Starring: Alicia Witt, Rebecca Gayheart, Jared Leto

Review by Luisito Joaquín González

So here it is, one of the first reviews that I wrote of a slasher movie. I posted this way back in 1999 and wanted 87367367673672672872to see if I still agree with what I said after eleven long years. I have updated some parts of it, but it’s still pretty much the same… Enjoy!

There’s something that I have to get off my chest before I begin my review of Jamie Blanks’ much-maligned slasher/whodunit, Urban Legend. What caught my attention initially was the fact that it boldly states on the front cover that it’s the: `Bloodiest teen878767656565 slasherfest to come over from the states so far...’ That, I thought to myself, was one hell of a bold statement to make. Could it be a film gorier than Nightmares in a damaged brain or Rosemary’s Killer? Could it even be a flick with more goo than Blood Rage, The Burning or the uncut Intruder? If so how did it gain a certificate from the BBFC? Or could it be that the unnamed reviewer from The Sun, who wrote that article was trying out some highly hallucinogenic shrooms? I’m afraid that after watching, I believe that the latter is probably the closest to the truth because although Urban Legend has its moments, gore is definitely not one of the movie’s strong points.

Now, before watching UL I was biased into thinking it was going to be absolutely terrible after the amount of 6767655443567bad publicity it got from its UK release. Almost every review that I read was warning the viewer to avoid it at all costs. But to anyone, who has got a video library filled with as many, how can I put it, ‘matter of taste’ flicks as mYSELF, will know that is all the invitation I needed.

After an exciting opening, we are shown a campus named Pendleton University and introduced to a few likely suspects or victims that are discussing the recent murder of Michelle Mancini, a girl that was killed in the pre-credits. The conversation then turns to the legend of the ‘Stanley Hall Massacre’, where It’s rumoured that 25 years earlier at that same college, a professor went berserk and killedd ‘a whole floor’ full of students before stabbing himself through the heart with a honey knife. In good old slasher tradition, the kids decide to have a party to commemorate the aforementioned kill frenzy, which you know is definitely going to be a bad idea.

Before long a butcher in a parka coat puts in a few appearences and starts working his way through the cast in some pretty imaginative ways. Natalie, our obvious heroine, witnesses most of these murders but of course, no-one else sees them or believes her, especially the somewhat suspicious Deane. As more people disappear, the killer’s motive is revealed and it’s left up to Natalie to stop him.

To be honest, and I’m going to be an individual here, I can’t for the life of me see what those writers think is so bad about Jamie Blanks’ first attempt at a horror movie. Seeing how this was his directorial debut (previously he had worked as a camera operator on action flick The Huntsman) I think he’s done a really good job. I was so puzzled when I had finished watching this flick that I rang up two of my friends and invited them to come around and view it with my girlfriend and I. All three agreed that it kept them on the edge of their seats; and one even 8776545546787went as far as to controversially say it was better than Scream.

Each murder gets more imaginative than the last, with the killer going to various lengths to stage the most unique methods of slaughter. They are based around popular urban legends and most are brimming with cheesy innovation. The opening gimmick is brilliant with the way it cheats the audience into a false sense of security, and who can honestly say that they didn’t jump when Damon bit the dust? I agree that when the butcher’s identity is revealed you are left wondering how he managed to perform those killings unaided, but that is by no means grounds to say that the film is poor. If you’re watching a slasher movie for sensible continuity, then you’re on a losing team there buddy.

What lifts Urban Legend way above average is its wonderful imagination, pulsating energy and ability to make the most of its bag full of good ideas. It also benefits from a haunting score and a strong cast, which were at the time of release, mostly unknowns. Jared Leto has since gone on to earn roles in Fight Club and American Psycho, not to mention The Thin Red Line. He is an actor that I have seen many times, but 785767feel that as of 2001, he hasn’t yet been given the right role that he can really sink his teeth in to. Here though, he does the basics superbly and shows much promise in his delivery. Alicia Witt is solid as the final girl and there’s a fair turn from Rebecca Gayheart as her bubble head friend. This was made before Tara Reid had developed a reputation as a party girl and she was then hoping for a career as an actress. She found some chances initially, but couldn’t do enough to hide her limits as a dramatic success. I did kind of hope that her character would survive, although that’s likely because she was arguably the hottest of the chicas.878767655465 In fact, Blanks is quite ruthless with the cast and not many players avoid the assassin’s blade.

We are treated to a couple of effective jumps and false scares and some wonderful flowing cinematography, which keeps the energy level at maximum. Due to the slick momentum, 8787676554435things also gets impressively tense toward the end, as you play the game of work out the killer’s identity. The story keeps on twisting and pointing the finger at everyone who appears on screen and you can’t help but carry on guessing. I even enjoyed the OTT motive and even though the actor struggled to deliver a believable portrayal of insanity, the revelation just about works.

So all said and done I think it just goes to show Urban Legend is a matter of taste movie; you’ll either love it or hate it. I must admit that I actually thought it was fairly enjoyable and remains far more entertaining than the one-toned Valentine. Don’t be dissuaded by the poor publicity that circled this one, its well worth checking out.

Slasher Trappings:

Killer Guise:√√√


Final Girl: √√√



Posted on March 24, 2012, in Slasher, Superstars hiding a slasher movie on the small print of their CV... and tagged , , , , , , . Bookmark the permalink. 13 Comments.

  1. I agree, a bit underrated. Thanks for the great review

  2. My favourite 90s slasher movie for all the reasons everyone hated it: it makes little sense and depends heavily on coincidence and massive suspension of disbelief but that only makes it the stuff of cheesy dreams!

  3. One of the 5 brilliant slasher films of the 90’s

  4. This was actually my first slasher film.

    I caught this when it played on the CW a few years back.

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