Silent Night Deadly Night Uncut 1984 Review

Silent Night Deadly Night 1984

aka Noche de Paz Noche De Muerte

Directed by: Charles E Sellier Jr

Starring: Lilyan Chauvin, Robert Brian Wilson, Toni Nero

Review by Luisito Joaquín González

I find generational changes in acceptance really interesting. What will life be like for my kids in twenty years? Whilst it was ok during the eighties in the UK for popular comedies like, Love Thy Neighbour and Only Fools and Horses 784784893893983298329829292to use slurs that would nowadays be considered so racist that they would cause riots in multi-cultural Britain, the sight of a teenager getting killed by the cheesiest effect imaginable caused a censorship outcry back then. Present day, most of those same films have been released uncut, but some sections of the left wing PC Brigade will jump on you for so much as singing Merry Christmas too loudly in case you offend 7474748389389398983someone. Somewhere between these two extremes lies the common sense that the general public are fine with and it’s only those that are light years away from working class communities that dream up such rubbish.

Silent Night Deadly Night was a victim of the eighties political correct massacre. After TV spots that showed the featured bad Santa wielding an axe, the campaigners that were starving for a reason to rebel against something – anything, went absolutely mad. So much so that they picketed the cinemas upon its release, which eventually led to TriStar Pictures pulling it after a few days. It had taken more on its opening weekend than A Nightmare on Elm Street, which goes some way to showing how much its marketing had captured the imagination of audiences. The news of its controversial withdrawal gave the film much more publicity than it would have ever gained if it had just been left alone to become a collector’s item for slasher enthusiasts and guess what? Children would have still believed in St Nick and loved Christmas.

Roger Ebert was characteristically at the forefront of the criticism of the film’s synopsis, but Leonard Martin’s comment of ‘…what’s next, the Easter Bunny as a child molester?‘ was pure bandwagon jumping on his part. How do I 7578878948993093093093know? Well he gave the similarly plotted Christmas Evil an extremely favourable review and called it ‘…a sleeper with cult status possibilities’ just four years earlier. Go figure…

After witnessing his parents murdered by a robber dressed in a Santa suit, Billy and his brother are sent to a Catholic orphanage. One of his carers realises that he is still suffering from the effects of the things he saw at such a young age, but she is powerless in her plea to get him some help, because the Mother Superior constantly punishes him for his lack of festive spirit and subjects him to regular beatings. Ten years later, he is given a job at the local toy store and seems to have put his demons behind him. A can of worms is opened when the shopkeeper, unaware of his history, asks him to stand in as Father Christmas in full bright red Yuletide get-up. This sends Billy over the edge and he sets out on a killing spree, still disguised as St. Nick.

Silent Night Deadly Night was the last ‘peak’ slasher movie to be backed by a major studio and some horror buffs believe that the genre ended with this piece. Vera Dika in her book, Games of Terror, states  that the ‘stalk and slasher’ started with Halloween and finished immediately after this reached cinemas six years later. The trappings of the category are things that not everyone sees the same way and are dependent on individual opinion, but although I may 7737838487487489389389389398389389487478383stand alone in saying that Final Destination is not a slasher movie, I think that most will disagree with her in saying that everything produced after 1984 is not a slasher movie. If you can seriously tell me that Dead Girls, Intruder or Hide and Go Shriek are not category flicks, then we could have a debate that I am not going to back down from.

This, however, has no identity issues and is an out and out slasher in anyone’s book. The high production values give it a chance to really make the most of its concept and it benefits no end from some effective performances and crisp visuals. Robert Brian Wilson was solid as the troubled Billy and cinema vet Lilyan Chauvin was scary as hell as the sinister Mother Superior. Night differentiates itself from most of its brethren by offering an in-depth account of the bogeyman’s motives and it spends time developing a back story. You could be forgiven for feeling sympathy after such an unfortunate life of hardship, but the film opts to move the focus away from his plight as he begins his murderous rampage and on to more typical slasher ingredients.

In its uncut format, the killings are rampant and satisfying and I especially liked the antler impalement of a young (and topless) Linnea Quigley. There’s an ingenious decapitation of a teen on a sledge and the maniac’s chanting of 8747847838938939848748389398489849389983983the word,’Punishment’ as he murders each victim removes any mean-spirit and gives the film a more cheesy, fun kind of tone. He racks up quite a body count when he’s out on road and every murder is shown in gory detail. There are two scenes that must have really, REALLY peeved the hordes of placard waving do-gooders that set up the pickets around multiplexes. The first is when Billy hands a blood stained Stanley knife as a gift to a cute little girl who thinks he’s the real Santa (at first it looks like he’s going to stab her!). Then shortly after, a deaf Catholic Priest, who is dressed as Father Christmas and 167236536737627822mistaken for our loony of the title, gets gunned down in front of a group of children. Catholicism gets a hard time throughout this picture, but you know what? I am Catholic, but I have a sense of humour and can take things with a pinch of salt when I know that they’re not intended to seriously offend. Why they got so upset about a cheesy eighties slasher is anyone’s guess.

The movie is very authentic in the way that it depicts Christmas. A few characters mutter sentences like, ‘I can’t wait until it’s all over’, which is a more realistic way of how some look at the expense and stress involved with this time of year. It’s something that you would never see in typical Hollywood exaggerated visions of everyone holding hands and counting the hours. The 757854784893983983script aims for black comedy in many places and on occasion successfully delivers. Charles E Sellier Jr directs comfortably and builds a few well crafted shocks, especially with the Granddad’s speech and the ruthless murder of Billy’s parents. It’s fair to say that the film lacks any real suspense, which leads me to believe that the modus operandi was more to rely on gore and outrageous imagery.

Nowhere near as bad as the majority of its genre colleagues that this shares its calendar date with, Silent Night Deadly Night is a treat for slasher fans that are looking for a fast paced festive movie with enough of everything in its stocking. There are many turkeys that you can watch on the big day, but do yourself a favour and go for the one that is well roasted with the best seasoning… And if you can’t find Black Christmas, then give this one a whirl…Tastes all the much better with an alcoholic beverage and a good sense of humour (something the numbskulls on the campaigns  didn’t have).

Slasher Trappings:

Killer Guise:√√√

Gore √√√

Final Girl √



Posted on December 17, 2011, in Killer as protagonist, Slasher and tagged , , , , , , . Bookmark the permalink. 6 Comments.

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